“I think one of the fair criticisms has been we make too much and not enough is great,” Mr.
13th film netflix movie#
(Think Alfonso Cuarón’s “Roma,” or Martin Scorsese’s “The Irishman.”) Now, the company is aiming straight for what the old-line studios do best: the PG-13, all-audience films that traditionally pack movie theaters, create a cultural moment and often transform into lucrative franchises. The company has shifted its priorities from being the place where big-name filmmakers bring passion projects that the studios find too risky. That homage to the “Indiana Jones” movies also serves as something of an indicator of Netflix’s film aspirations, which have evolved over the years as its subscriber base has grown to 214 million and filmmaker resistance to its streaming-first model has waned. The director Rawson Thurber calls it “a tip of the cap to the greatest action-adventure film of all time.” Adorned in khakis and a fedora, he whistles the theme to “Raiders of the Lost Ark” as he walks down the stairs.
Toward the end of “Red Notice,” Netflix’s flashiest and most expensive attempt to date at starting a film franchise, Ryan Reynolds descends into a cave to search for a bounty pilfered by Nazis.